Universal Music Group N.V.
ENXTAM-UMG
Company Overview
Universal Music Group N.V. operates as a music company worldwide. It operates through Recorded Music, Music Publishing, and Merchandising & Other segments. The Recorded Music segment discovers and develops recording artists, as well as markets and promotes their music across various formats and platforms; and engages in the live events, sponsorship, film, and television operations. The Music Publishing segment discovers and develops songwriters, as well as owns and administers the copyright for musical compositions used in recordings, public performances, and related uses, such as films and advertisements. The Merchandising & Other segment produces and sells artist and other branded products through various sales channels, including fashion retail, concert touring, and internet, as well as offers brand rights management services. The company has approximately 3 million recordings, 4 million owned and administered titles, and 250 artists/brands, as well as owns approximately 50 labels covering various music genres. The company was incorporated in 2020 and is headquartered in Hilversum, the Netherlands.
Name
Universal Music Group N.V.
CEO
Sir Lucian Grainge
Website
www.universalmusic.com
Sector
Entertainment
Year Founded
2020
Company Statistics
Profile
Market Cap
—
EV
—
Shares Out
—
Revenue
—
Employees
—
Margins
Gross
—
EBITDA
—
Operating
—
Pre-Tax
—
Net
—
FCF
—
Returns (5Yr Avg)
ROA
—
ROTA
—
ROE
—
ROCE
—
ROIC
—
Valuation (TTM)
P/E
—
P/B
—
EV/Sales
—
EV/EBITDA
—
P/FCF
—
EV/Gross Profit
—
Valuation (NTM)
Price Target
—
P/E
—
PEG
—
EV/Sales
—
EV/EBITDA
—
P/FCF
—
Financial Health
Cash
—
Net Debt
—
Debt/Equity
—
EBIT/Interest
—
Growth (CAGR)
Rev 3Yr
—
Rev 5Yr
—
Rev 10Yr
—
Dil EPS 3Yr
—
Dil EPS 5Yr
—
Dil EPS 10Yr
—
Rev Fwd 2Yr
—
EBITDA Fwd 2Yr
—
EPS Fwd 2Yr
—
EPS LT Growth Est
—
Dividends
Yield
—
Payout
—
DPS
—
DPS Growth 3Yr
—
DPS Growth 5Yr
—
DPS Growth 10Yr
—
DPS Growth Fwd 2Yr
—
Bulls Say
Talent will always be at the core of music industry sales. Record labels are critical for artists to maximize success, and Universal is the best positioned.
Universal’s sales growth directly follows the streaming platforms, which are still maturing. These platforms have just begun to take advantage of pricing power and still have room to increase customer penetration globally.
The evolution of the streaming business to an artist-centric model that pays the most popular music at a higher rate per stream will benefit the record labels, like Universal, which represents the biggest stars.
Bears Say
Record companies’ favorable revenue-sharing agreements with streaming platforms may not allow those platforms to remain viable over the long term and could require concessions.
Streaming platforms’ increased bundling of their music offering with other services, as Apple, Amazon, and now Spotify—with podcasts—do, decreases the amount of revenue allocated to music, directly cutting into record companies’ share.
Successful artists’ ability to reach fans directly gives those artists more negotiating leverage to squeeze record companies for a bigger share of the artist’s earnings.